DIGITAL CAMERAS – camera.co.id

SONY Alpha A7 V Body (Black)

cciduser — Mon, 08 Dec 2025 04:42:26 +0000

SONY Alpha A7 V Body (Black)

A Goldilocks camera that’s not afraid to punch above its weight class, the Sony a7 V is a hybrid mirrorless camera with strong photo performance, strong video recording capabilities, and a healthy dose of the latest AI-based subject recognition and autofocus tech from its flagship siblings. Built for content creators, this is a workhorse camera more than capable of handling everything from high-speed action photography to daily vlogs to full multimedia coverage of events.

New Partially Stacked Sensor and Upgraded Processing

33MP Exmor RS CMOS Full-Frame Sensor

The first Sony camera to feature a partially stacked sensor, the a7 V’s 33MP Exmor RS CMOS sensor offers faster readout speeds and reduced rolling shutter compared to the a7 IV. Coupled with a new processor, this sensor also enables a handful of flagship-level benefits, including more advanced subject recognition and tracking, faster continuous shooting performance, and improved image quality with 16 stops of dynamic range. The sensor offers a native ISO range of 100-51200 and the partially stacked design also contributes to a faster 1/16,000-sec top electronic shutter speed.

BIONZ XR2 Processor

Another contributor to the increased speed and overall performance, the new BIONZ XR2 processor incorporates an AI unit for enhanced autofocus, better color accuracy, and greater auto white balance consistency from frame to frame.

The increased processing efficiency also enables blackout-free 30 fps continuous shooting, with full-time AF and AE, as well as 7K-oversampled 4K 60p video recording and high-speed 4K 120p recording using a S35 area.

Pre-Capture & Speed Boost

Along with the key technology delivered by the sensor, the a7 V brings additional features to unlock the camera’s full potential.

Pre-Capture: The a7 V can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.03-1.0 second. Upon pressing the shutter these images will be saved to the memory card.
Speed Boost: This function can be assigned to Function button, allowing users to instantly switch their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 30 fps.

Selectable Raw File Types and Composite RAW Function

The partially stacked sensor and improved processing also permit more flexibility when working with raw files:

Compressed HQ raw, lossless compressed raw, and a new lightweight raw format are available to suit different priorities, ranging from the ultimate image quality and editing flexibility to more efficient files that prioritize saving on storage space.
Extended raw file processing is possible via the Imaging Edge desktop app.
The Composite RAW function allows you to capture and composite on your computer 4, 8, or 16 sequential files, taken at 30 fps, to produce HDR images with reduced noise, especially at higher ISO values.

5-Axis Image Stabilization

Upgraded from its predecessor, the in-body image stabilization system has been revised to support up to 7.5 stops of camera shake compensation in the center of the frame and 6.5 stops at the periphery. This 5-axis stabilization system combines a high-performance gyro sensor with an optimized algorithm for more precise shake control and improved communication between the camera body and lens.

Upgraded AF and AI Subject Recognition

The autofocus performance of the a7 V is a key area of improvement over previous generations; borrowing from the flagship camera, the a7 V now sports an AI Processing Unit and refined subject detection and tracking. The phase-detection AF system itself still comprises 759 points, which cover about 94% of the sensor area, and support focusing down to -4 EV. Subject tracking and subject detection is improved, too, specifically how the camera is 30-50% faster to recognize animals and birds compared to the a7 IV.

First seen in the a7R V, a9 III, and the a1 II, the a7 V sports a dedicated AI Processing Unit for refined, responsive, and intelligent subject tracking and detection of humans, animals, birds, insects, cars, trains, and airplanes.
Human pose estimation tracks body and head positions for accurate focus in portraiture and sports settings and Real-time Eye AF performance refines this and prioritizes focus on recognized eyes.

Additionally, human pose estimation can distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.
Real-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects.
Auto Subject Recognition modes no longer necessitate selecting a subject type, letting the camera detect and track the intended subject.
XS and XL focus area spot sizes have been added for more versatility or you can customize AF focus areas to suit uniquely sized or shaped subjects.
Full-time DMF (Direct Manual Focus) enables using the lens’s focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.

Video Recording

7K Oversampled 4K Recording

Making use of the high-resolution sensor and fast processing capabilities, UHD 4K 60p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K full pixel readout for impressive sharpness and realism.
If using a Super 35 crop, high-speed recording is possible at up to UHD 4K 120p or FHD 240p for slow-motion playback.

Recording Flexibility

Extended recording times are possible thanks to efficient heat dissipation—a unique Sigma-shaped graphite heatsink is built into the stabilization unit and improves thermal consistency during extended clips.
With respect to audio recording during video, the a7 V supports internal 24-bit recording and up to 4-channel audio with compatible external microphones.
A new audio reference mic aids in noise reduction and there is a selectable wind-noise reduction control when working with the internal mic.

Dynamic Active stabilization adds substantial electronic correction on top of IBIS for more steady footage while running, walking, or recording handheld tracking shots.
Support for Breathing Compensation mode, which reduces the effects of focus breathing when using select lenses.
AI subject recognition, gained from the AI Processing Unit, benefits the Framing Stabilizer mode, which can be used to automatically crop and recompose so the subject remains centered in the image.

Advanced Color Control

S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches many FX-series and a-series cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
Users can also import LUTs via Creators’ Cloud for accurate monitoring while recording.

Body Design and Connectivity

3.68m-Dot EVF and 4-Axis Multi-Angle LCD

Sporting a new, more functional LCD design, the a7 V has a 4-axis multi-angle LCD monitor that combines the best assets of both tilting and side-open/flip-out vari-angle designs.
This 3.2″ 2.1m-dot LCD also has a touchscreen design and a DCI-P3 wide gamut for accurate color monitoring.
An impressive Quad VGA OLED EVF features a 3.68m-dot resolution and 0.78x magnification for bright, clear, and detailed eye-level viewing.
The EVF offers 120 fps playback for smooth motion rendering and the brightness and color can both be adjusted if needed.

Ports and Interface

Full-size HDMI A port offers a more reliable connection when working with external recorders.
Dual USB-C ports offer greater versatility and the ability to simultaneously power the camera or charger the battery while also transferring data to an external storage device.Port 1 is a USB-C 3.2 Gen2 port intended for data transfer at up to 10 Gbps and Port 2 is a USB-C 2.0 port intended for power delivery and in-camera battery charging.

Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.

Versatile and Durable Design

Dual memory card slots include one CFexpress Type A/SD UHS-II combination slot and one additional SD UHS-II slot. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording.
Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 630 shots per charge when using the viewfinder or 750 shots when using the rear LCD—a 23% improvement over the a7 IV.

Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight.
The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.

Connectivity

Built-in Wi-Fi and NFC enables the a7 V to instantly share imagery to mobile devices for direct sharing online. This wireless connectivity supports both 5 and 6 GHz bands, along with 2×2 MIMO, for a strong, reliable connection to enable rapid transfers, remote control, and wireless tethered shooting.

Bluetooth connectivity allows for location data acquisition.
Supports 4K webcam use and is UVC/UAC compliant for simple operation. Internal recording is also supported while live streaming.
Imaging Edge Remote for desktop supports PC Remote shooting via the Wi-Fi connection or tethered by the wired USB-C port. An updated data transfer control also makes it possible to transfer files from an SD card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.

CINETREAK STREAM 1 Video Switcher (4 HDMI + AUX)

cciduser — Sun, 07 Dec 2025 04:14:41 +0000

Warranty :

1 Tahun PT. Denka Pratama Indonesia

CINETREAK Mixer Plus Video Switcher

cciduser — Sun, 07 Dec 2025 04:11:50 +0000

CINETREAK Mixer Plus Video Switcher

Mixer Plus is a powerful and compact video switcher designed for live streaming, event production, and multi-camera broadcasts. It is available in two versions to suit different workflow needs: the Mixer Plus with four HDMI inputs, and the Mixer Plus SDI, which offers four SDI inputs for broadcast-grade signal compatibility.Both models support seamless multi-channel switching, a customizable AUX output, and real-time Multi View monitoring. With up to 30 built-in transition effects—including Mix and DIP—users can create professional scene changes with adjustable durations. Audio flexibility is ensured through dual microphone inputs and a headphone monitoring jack, enabling real-time sound control.The switcher also supports PTZ camera control via VISCA over IP, allowing connection of up to four cameras with multiple presets per device. Additional production tools include chroma key, luma key, picture-in-picture (PIP), downstream keying (DSK), and logo overlays.Equipped with a USB 3.0 UVC interface for uncompressed HD streaming and a USB 2.0 port for importing media files like logos and backgrounds, Mixer Plus and Mixer Plus SDI provide a complete, versatile switching solution tailored for professional content creators and live production teams.

Multi-Inputs Flexibility- Mixer Plus is a compact and full-featured video switcher available in both HDMI and SDI input versions, designed to meet the needs of professional live production environments. The HDMI version comes with four HDMI input ports, while the SDI model features four SDI inputs, both supporting high-quality video signal switching. Each unit offers one program (PGM) output and one AUX output. The AUX output supports multi-view previews as well as customizable video signal outputs, offering exceptional flexibility during live broadcasts.Both versions are equipped with a LAN port that can be used to control PTZ cameras or to connect with our official control software on PC, enabling full access to the device’s functions. Additional audio features include two line-in audio inputs and a headphone output for real-time audio monitoring. The built-in USB 2.0 port allows easy import of media files such as logos, backgrounds, and still images, while the high-speed USB 3.0 port functions as a UVC interface, enabling uncompressed HD video capture directly into OBS and other live streaming software. Whether you prefer HDMI or SDI workflows, Mixer Plus provides a reliable, flexible, and user-friendly solution for multi-camera live production.

Customizable AUX HDMI Output- Mixer Plus features a versatile AUX HDMI output that allows users to customize the output signal from multiple options, including IN1, IN2, IN3, IN4, PGM, Clean PGM, PVW, Clean PVW, PAT, and Multi View—offering maximum flexibility for different production needs.

Multi View (MV) Monitoring- The Multi View (MV) feature allows users to monitor all input sources simultaneously on a single display. It provides real-time previews of each video input along with dedicated Program (PGM) and Preview (PVW) windows, resolution indicators, and audio level meters. This enables precise signal monitoring and seamless switching during live production. Ideal for multi-camera setups, the MV mode enhances operational efficiency and ensures professional broadcast quality.

Dual Mic Input & Audio Monitoring &Built-in Transition Effects- Mixer Plus offers two mic inputs and a headphone monitoring jack for flexible audio sourcing and real-time sound monitoring. It also supports up to 30 built-in transition effects, including Mix and DIP, with customizable transition durations.

PTZ Camera Control via VISCA over IP- Mixer Plus supports professional PTZ camera control via the VISCA-over-IP protocol, allowing control of up to four PTZ cameras. Each camera supports up to four position presets, enabling fast and efficient scene switching during production.

Layer Control Functions- This section of the switcher panel provides quick-access controls for five key image layer and overlay functions, each with an individual status indicator:

CHROMA: Enables chroma keying, allowing you to remove a solid green or blue background and replace it with a different image or video source—ideal for virtual sets or remote interviews.

LUMA: Activates luma keying, which removes areas of an image based on brightness values. This is useful for overlaying graphics like lower-thirds or white-on-black logos.

PIP (Picture-in-Picture): Turns on the picture-in-picture mode, allowing a secondary video source (e.g., webcam or presenter feed) to appear in a movable window on top of the main program feed.

DSK (Downstream Keyer): Enables downstream keying for clean overlays like titles, graphics, or logo bugs to be added after the main mixing process, preserving video integrity.

LOGO: Displays a pre-loaded static logo onto the program feed, useful for branding or watermarking during live streams.

Each function can be toggled on/off via the control panel, with the corresponding indicator light showing real-time status—ensuring efficient layer management during production.

SONY ZV-1 M2 Black Friday Package

cciduser — Sat, 06 Dec 2025 09:10:14 +0000

SONY ZV-1 M2 Black Friday Package

The ZV-1 II is an ideal, versatile vlogging camera. It’s compact and portable, featuring a wide-angle zoom lens for versatile framing, a 1.0-type image sensor for outstanding image quality, and an intelligent microphone for clear audio recording.

Key Features

For Vloggers and Content Creators
20.1MP 1″ Exmor RS BSI CMOS Sensor
Wide-Angle 18-50mm-Equiv. f/1.8-4 Lens
UHD 4K30p Video w/ HLG & S-Log3/2 Gammas
3″ Side Flip-Out Touchscreen LCD
Intuitive Touch Focus & Exposure Control
Real-Time Tracking & Eye AF
Bokeh Switch & Face Priority AE
Cinematic Vlog Setting, S&Q Shoot Mode
Product Showcase Setting
Developed and designed for carefree, effortless creation, the ZV-1 II from Sony delivers high-quality content in a compact body that handles with ease.

The ZV-1 II’s 18-50mm-equivalent f/1.8-4 wide-angle zoom lens has expanded the frame for content creators. Sleek and lightweight at nine ounces, the camera is ideal for one-handed shooting and also accommodates front-facing video for small groups. The upgraded autofocus features multiple face recognition, ensuring everyone is in focus. The new format also works well with narrow interiors or as a dynamic accent to everyday scenes.

Inside, the ZV-1 II has some familiar imaging attributes in the form of a 20.1MP 1″ Exmor RS stacked CMOS sensor and BIONZ X image processor which contributes to impressively fast performance, ISO sensitivity from 125 to 12800 for video and stills, and large bokeh. The processor powers the Real-Time Eye AF and Real-Time Tracking features for quick and precise focusing and subject tracking, along with an Active Mode image stabilization to steady footage and reduce the appearance of camera shake for smoother takes.

The side flip-out 3″ touchscreen makes front-facing composition and operation a breeze by putting manual and automatic controls at your fingertips. The camera features a suite of automatic touch specialty functions such as Touch AE, Touch Tracking, Touch Focus, and Touch Shutter. The ZV-1 II also features Product Showcase Setting, Background Defocus function, Soft Skin Effect, and Face Priority Auto-Exposure.

Elevated content is easier to produce with the camera’s Cinematic Vlog setting, Slow & Quick shoot mode, and its intelligent built-in microphone. The Cinematic Vlog setting triggers a fixed 2.35:1 aspect ratio and 24 fps frame rate while offering a selection of “Looks” and “Moods” to refine the image aesthetic. Slow & Quick mode allows you to apply frame rate adjustments in camera , up to 5x slower and 60x faster, from a single, simple screen. The built-in, three-capsule microphone is multidirectional and, when used in auto mode, uses the camera’s face- and object-recognition software to select the best direction for the microphone. A 3.5mm microphone jack and a multi-interface shoe allow compatibility with external microphones, and the camera comes with a windscreen to ensure clear sound when you’re shooting outdoors.

Extended, UHD 4K video recording at 30p is supported and a USB-C port can be used to record while charging or in conjunction with an external recorder or monitor if desired. Footage is also benefitted by Sony’s S-Log3/2 and HLG picture profiles that match up with their professional cine cameras for refined color, dynamic range, and detail when recording.

Content Creator and Vlogging Features

The rear LCD touchscreen features a side flip-out design ideal for filming yourself or taking selfies in a natural and intuitive manner.
A multidirectional three-capsule microphone orients the microphone toward computer-recognized faces and objects when in auto mode. Also, a dedicated wind screen for the built-in mic is included to help achieve cleaner audio when working outdoors.
The camera supports live streaming and webcam use by simply connecting the camera to a computer via USB-C, allowing the ZV-1’s video and audio capabilities to be used for live social media and video conferencing. UVC and UAC standards are supported for improved picture and sound quality during streaming.
Both a 3.5mm microphone port and a Multi Interface Shoe offer greater accessory compatibility.
The compact and lightweight body design is complemented by an easy-to-hold, right-hand grip that makes one-handed operation more comfortable and efficient. There is also a large REC button for quick recognition.
Front tally lamp serves as a visual indicator for when recording is occurring.
The Product Showcase setting is ideal for vlogging, product displays, and for quick and smooth focus transitions between a subject’s face and an object placed in front of the lens.
A Bokeh Switch lets you immediately switch to the maximum aperture setting (f/1.8-4), using a custom button function, for isolating your subject using shallow depth of field and bokeh. A built-in, 3-stop ND filter benefits using this mode in bright lighting conditions by controlling overexposure.
Face-Priority AE detects the subject’s face and adjusts the exposure to ensure the face is depicted in the ideal brightness, even if walking from a bright place into shade. The AE technology also suppresses abrupt changes in exposure if the subject quickly turns away from the frame to eliminate unexpected blown-out or extremely dark shots.
Refined color science helps to optimize skin tones for any subject, in both still and video modes, in order to achieve a healthy and natural look that is inclusive of different ages, genders, and ethnicities.
The Soft Skin Effect can be used to soften and smooth wrinkles or blemishes on a subject’s face to create a natural, smooth complexion. The default setting is Mid and can be adjusted to Off, Low, or High.
For longer takes, extended continuous video recording is available when setting the Auto Power OFF Temp. function to High.
An advanced image stabilization mode ensures steady video while moving, even when handheld shooting while walking. This mode combines optical and electronic stabilization methods for more effective results—when recording HD video with Active mode, camera shake is reduced by up to 11 times more than with standard SteadyShot; when recording 4K video with Active mode, camera shake is reduced by up to 8 times more than with standard SteadyShot.

20.1MP 1″ Exmor RS CMOS Sensor & BIONZ X Image Processor

Utilizing an advanced stacked structure with an integrated DRAM chip, the 20.1MP 1″ Exmor RS CMOS sensor is able to deliver outstanding image quality from ISO 120-12800 with incredibly fast performance. This sensor stacks the pixel area, a high-speed signal processing circuit, and memory in order to increase data throughput and deliver features such as Real Time Tracking, Real Time Eye AF, Touch AE, UHD 4K video, and more. This 1″ sensor also has 315 phase-detection AF points and 425 contrast detection areas for faster, more precise focusing.

This sensor is paired with a revised BIONZ X image processor which dramatically improves the speed and throughput of the entire imaging system, enabling blackout-free continuous shooting at up to 24 fps with continuous AF/AE calculations being performed.

SONY ZV-E10 Kit 16-50mm f/3.5-5.6 OSS II Mirrorless Camera (Black)

cciduser — Sat, 06 Dec 2025 07:28:45 +0000

SONY ZV-E10 Kit 16-50mm f/3.5-5.6 OSS II Mirrorless Camera (Black)

With improved features that expand upon its content-creation-focused predecessor, the Sony ZV-E10 II is outfitted with a 26MP APS-C sensor for faster performance and high-quality imagery in a compact form factor designed for vloggers. This aligns the ZV-E10 II with tried and true models such as the FX30 and the a6700. Built-in creative shooting modes, a 3-capsule directional microphone, and a 3″ articulating LCD touchscreen with vertical orientation support and integrated tally light make for a powerful multi-purpose vlogging device. Other notable upgrades with the ZV-E10 II include a 759-point phase detection autofocus system, Cinematic Vlog mode, and compatibility with larger-capacity NP-FZ100 batteries. This version of the camera includes a 16-50mm lens.

E PZ 16-50mm f/3.5-5.6 OSS II Lens

Designed for APS-C mirrorless camera sensors, the black E PZ 16-50mm f/3.5-5.6 OSS II lens offers a versatile full-frame equivalent zoom angle of 24-75mm within a compact design. A variable aperture of f/3.5 to 5.6 helps keep the lens’s size and weight to a minimum while accommodating most use cases. When the camera is powered off, the lens retracts to just 1.25″.

Quick autofocusing and improved Optical SteadyShot image stabilization counteract handheld camera shake for sharper imagery. Four aspherical elements and one Extra-Low Dispersion element ensure high-resolution imagery throughout the zoom range. The lens supports focus pulling while shooting up to 120 fps and autofocus while zooming for intuitive single-person filming with moving subjects.

Vlogging Features

Optimized Camera-Design

A rear 3″ 1.04m-dot touchscreen LCD with a flip-out design allows you to easily film yourself or take selfies with ease. When recording, an integrated tally lamp creates a red border around the LCD. If you’re filming vertically for TikTok or Instagram, your LCD screen will flip to display information vertically as well.
A directional 3-capsule microphone is specifically designed for forward-directional audio recording for vlog and interview applications. A dedicated windscreen minimizes distortion when filming outdoors.
Both 3.5mm microphone and headphone ports are also featured for more advanced audio recording, and the Multi Interface Shoe also benefits audio recording capabilities. This accessory shoe supports a digital audio interface that helps to achieve lower noise during recording and also eliminates cable clutter and the need for external power when working with compatible shoe-mounted mics.

Connectivity and Live Streaming

Ports on the ZV-E10 II include a micro-HDMI video output and USB-C data output, which can facilitate video sharing to a computer or compatible mobile device. You can even live stream to social media using the USB-C data port or integrated 5 GHz WiFi. The USB-C data port also supports high-speed wired transfers to a compatible device through the Sony Creators App. RTMP, RTMPS, and SRT streaming protocols are supported as well as UVC standards, which allow you to use the camera as a webcam.

Specialized Shooting Modes

Product Showcase setting is ideal for vlogging and product review or demonstration videos and allows for quick and smooth focus transitions between a subject’s face and an object placed in front of the lens.
Background Defocus lets you immediately switch to the maximum aperture setting of the attached lens, using a custom button function, for isolating your subject using shallow depth of field and bokeh.
Focus Breathing Compensation actively corrects any visual distortion that might occur while manually or automatically toggling your camera’s focus.
Slow & Quick (S&Q) mode allows shooters to capture Full HD video at specified steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene.

Image Quality, Autofocus, and 4K Video

26MP APS-C Exmor R CMOS Sensor and BIONZ XR Processor

Similar to the sensor found on the FX30 or a6700 flagship, the ZV-E10 II has an APS-C-format 26MP Exmor CMOS sensor for smooth, nuanced image quality with minimal noise. A high sensitivity range of ISO 100-32000 can be further expanded to ISO 102400 for increased low-light performance. The sensor works in tandem with an upgraded BIONZ XR processor for 8x faster performance with an increased 5.6K oversampling area.

Increased Phase Detection

The ZV-E10 II has fast-hybrid 759-point phase detection and subject-recognition algorithms for improved subject recognition. Real-time Eye AF can prioritize focusing on human or animal eyes for ensured sharpness when making portraits. When selected, this function is activated by half-pressing the shutter button, and you can further choose to prioritize either the right or left eye. Real-time tracking utilizes AI-based algorithms and automatically recognizes and tracks moving subjects. If Face/Eye Priority AF is on, this tracking method will further track a subject’s eye or face in real-time depending on the status of the moving subject.

4K Video Recording

UHD 4K video recording is possible up to 60p and uses full pixel readout with 5.6K oversampling to yield greater detail with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 600 Mb/s XAVC HS and XAVC S-I formats with 4:2:2 sampling. The camera includes S-Cinetone and S-Log 3 color, which make for better grading control and full utilization of the 14-stop dynamic range. You can also assign LUTs or use the Creative Looks mode to apply preset color effects to your footage while shooting.

Larger Battery Capacity

In order to accommodate the NP-FZ100 battery, the ZV-E10 II now has a slightly larger body design while still maintaining an overall compact form factor for portability. When using the NP-FZ100 battery, you can now record approximately 610 shots per charge for a 30% increase over the previous model. Power can also be supplied to the camera through the USB-C port or by using the optional power adapter.

FUJIFILM X-T30 III Kit 13-33mm f/3.5-6.3

cciduser — Thu, 20 Nov 2025 10:55:26 +0000

FUJIFILM X-T30 III

Impressive Imaging, Maximized Convenience

Expand the creative possibilities of on-the-go image capture with the X-T30 III from FUJIFILM, an analog-inspired mirrorless camera that packs cutting-edge photo and video technology into a stylish, portable form factor. With its centrally located electronic viewfinder and multitude of physical dials, the X-T30 supplies a traditional SLR-style shooting experience, along with the optional convenience of a single-switch fully automatic mode. This operational flexibility allows visual storytellers to focus on their subjects without sacrificing image quality, while FUJIFILM’s built-in film emulation, user-customizable recipes, and extensive X-mount ecosystem ensure endless potential for artistic expression.

26.1MP X-Trans CMOS 4 Sensor & X-Processor 5

The X-T30 III improves upon FUJIFILM’s previous model by bolstering its APS-C-format 26.1MP X-Trans CMOS 4 sensor with the upgraded X-Processor 5 imaging engine. This premium image-processing system offers significant improvements to speed, focus, and video-capturing capabilities. Maximum video resolution jumps from DCI 4K to 6.2K in a 3:2 aspect ratio, taking advantage of the entire 6240 x 4160 sensor, while Portrait Enhancer and advanced digital stabilization ensure footage looks professional. The X-Processor 5 also enables an improved autofocus system, boosting performance with deep-learning AI that automatically identifies and tracks a wide range of moving subjects, including pets, people, vehicles, and more.

Stunning Stills

With its portable frame, comprehensive feature set, and optimal ease-of-use, the FUJIFILM X-T30 III is the perfect everyday carry for capturing memories. Its ability to dial in and save individualized looks, along with its support for a variety of image formats, allows the X-T30 to strike a balance between straight-out-of-camera quality and flexibility for future edits.

Raw (RAF) 14-bit, HEIF 4:2:2 10-bit, TIFF 8-bit, and JPEG still-image formats
Maximum resolutions of 6240 x 4160 (3:2), 6240 x 3512 (16:9), and 4160 x 4160 (1:1)
Minimum shutter speeds of 1/4000 (mechanical) and 1/32,000 (electronic)
Continuously shoot uncompressed Raw images at up to 30 fps with a 1.25x crop
Built-in pop-up flash with a guide number of 16.4′ at ISO 100
Long exposure up to 1 hour in bulb mode

Versatile Video

Boasting impressive hybrid capabilities, the X-T30 III captures razor-sharp video 6.2K, UHD 4K, DCI 4K, and Full HD in a variety of formats and data rates. Employing its advanced, AI-powered continuous autofocus, the X-T30 provides dependable video-capturing performance in a compact, SLR-style body.

6240 x 4160 (3:2) resolution up to 29.97 fps
4096 x 2160 (17:9) and 3840 x 2160 (16:9) resolutions up to 59.94 fps
2048 x 1080 (17:9) and 1920 x 1080 (16:9) resolutions up to 240 fps
Record in H.265 and H.264 formats with Long GOP video compression
Bitrates up to 200 Mb/s at all resolutions for exceptional sharpness and color

Timeless Design

Fashioned to mirror the silhouettes of analog SLRs from the past in a more compact form factor, the X-T30 III unifies a traditional image-capturing experience with cutting-edge functionality. The camera’s physical dials provide manual control over several key functions, including shutter speed, exposure compensation, and film simulations, allowing rapid adjustments to style and exposure without requiring menu navigation. This ergonomic design permits photographers to keep their eye on the 2.36m-Dot OLED viewfinder during shooting, focusing more on creative storytelling and less on technical tinkering.

When more precise changes need to be made, the 3.0″ 1.62m-Dot tilting LCD displays the intuitive menu, allowing convenient touchscreen navigation and supplying advanced users with complete control over all the camera’s photo and video settings. As mobile as it is refined, the X-T30 is the ideal everyday camera, measuring only 4.7 x 3.3 x 1.8″, and weighing just 11.6 oz.

Intelligent Automation

The X-T30 III features a wide variety of automated functions that streamline the image-capturing process, empowering first-time photographers and enabling more experienced shooters to focus on their subjects in time-sensitive scenarios. Located to the right of the viewfinder on the camera’s top plate, a single-touch switch enables Intelligent Auto Mode, maximizing ease-of-use with AI-powered subject detection, autofocus, and auto exposure.

425-point intelligent hybrid AF with phase detection and low-light sensitivity down to -7EV
AI-based subject detection recognizes eyes, faces, people, animals, vehicles, and more
Continuous AF mode maintains focus through quick movements or brief obstructions
Auto exposure with spot, multi, average, and center-weighted average TTL 256-zone metering
Auto white balance with white priority and ambience priority settings

Customizable Film Emulation

Pairing the digital innovation of FUJIFILM’s Film Simulation modes with a physical, on-camera dial, the X-T30 provides an ergonomic way to customize the look and feel of images as they are captured. Located to the left of the viewfinder, the dial features six of FUJIFILM’s preset Film Simulation modes and three user-assignable modes that allow creators to customize and save their own recipes for fast recall in the field. Recipes can be created in the Film Simulation Dial section of the Image Quality settings menu, permitting adjustments to Grain Effect, Color Tone, Highlights, and more.

The X-T30 III includes 20 unique Film Simulation presets, including PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg. Hi, PRO Neg. Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.

Connectivity & Compatibility

The X-T30 III takes advantage of FUJIFILM’s wide range of X-mount lenses and accessories and features comprehensive wired and wireless connectivity.

Works with over 40 X-mount optics and accessories, including the XC 13-33mm f/3.5-6.3 OIS lens
Record and output video via SD/SDHC/SDXC UHS-I card slot and micro-HDMI port
Hot shoe powers attached, compatible accessories such as a microphone or larger flash
Built-in Wi-Fi 4 and Bluetooth 4.2 allow wireless sharing and control via mobile devices
USB-C power input and data I/O, 2.5mm sub-mini stereo mic and remote input

FUJIFILM XC 13-33mm f/3.5-6.3 OIS Lens (FUJIFILM X)

Providing a versatile wide-to-normal zoom range, the XC 13-33mm f/3.5-6.3 OIS Lens from FUJIFILM is a compact lens for everyday photo and video capture. Mounting to a compatible APS-C camera via its FUJIFILM X-mount, the lens features a full-frame equivalent focal length of 20 to 50mm. This adaptable field of view, coupled with its constant 7.9″ close focus, allows the lens to capture anything from sweeping landscapes to intimate, stylish close-ups. Its compact, lightweight construction promotes on-the-go creativity without hampering mobility.

Four-stop optical image stabilization makes handheld operation a breeze, reducing camera shake and ensuring consistent low-light performance without the need for a tripod. The integrated STM autofocus motor balances speed with precision, tracking fast-moving subjects in razor-sharp detail. Delivering clean, true-to-life stills and video in a portable form factor, the FUJIFILM XC 13-33mm is an ideal image-making companion.

Versatile Optics

20 to 50mm full-frame equivalent focal length for expansive landscapes and flexible framing
Constant 7.9″ close focus across zoom range for dynamic, detailed close-up images
Rounded 9-blade diaphragm delivers smooth subject-to-background transitions
f/3.5 to f/6.3 maximum and f/22 minimum aperture provides adaptable depth control
10-element, 9-group optical design with 4 aspherical and 3 extra-low dispersion elements

Usability

Four-stop optical image stabilization benefits handheld shooting and low-light scenarios
STM motor ensures fast and smooth autofocus, optimized for stills and video
Compact 1.5″ length and lightweight 4.4 oz design make it perfect for everyday carry
49mm front thread for easy integration of necessary filters

KODAK Mini Charmera

cciduser — Thu, 20 Nov 2025 03:47:20 +0000

KODAK Mini Charmera

In 1987, KODAK launched its first signature single-use camera, the KODAK Fling, aiming to promote the simplicity of point-and-shoot photography. Fast forward to today, the all-new KODAK Charmera reimagines that retro charm with a digital twist. Compact enough to fit on your keychain, and brings back the joy of everyday snapshots.

What makes it even more exciting?

The cameras are sold in blind boxes

Whether it’s a party gift, a collectible item, or a shared surprise among friends, it adds an element of surprise and fun! With 7 uniquely vintage designs, including 1 secret edition, every unboxing is a mystery awaiting to be revealed!

What is a blind box?

There are 7 uniquely vintage designs of CHARMERA including 1 secret edition. Each single box contains a random style of CHARMERA. You will not know which one you get until you open it.

Single box: There is one random edition of CHARMERA per blind box. Each basic style is with the odds of 1/6.

Secret edition: The secret edition features a transparent shell that shows off the camera’s inner workings — a nod to retro-tech minimalism that’s sleek, see-through, and seriously cool!

The probability of drawing the secret edition is 1/48.

Whole set: A set contains 6 blind boxes with no repetitions. One of the basic editions will be replaced if the secret edition appears in the set.

*Disclaimer: We cannot guarantee you will receive any specific style or the secret edition. The products you receive are completely random.
Product image for illustration purposes only.

CANON EOS R6 Mark III Kit RF 24-105mm f/4-7.1 IS STM

cciduser — Wed, 19 Nov 2025 04:45:37 +0000

CANON EOS R6 Mark III Kit

The Super Hybrid

Built to be the high-performance all-arounder for creatives who work in both photo and video, the Canon EOS R6 Mark III deftly combines an array of hybrid capabilities, upgraded imaging, and revised handling and design to suit shooters working in a wide variety of scenarios. A new 32.5MP sensor pairs with DIGIC X processing to offer 7K video recording, up to 40-fps photo shooting, improved Dual Pixel CMOS AF II with Register People Priority, more robust 8.5-stop image stabilization, and the R6 Mark III now also accepts both CFexpress Type B and SD memory cards for flexible file storage.

Offering a 34% increase in resolution over its predecessor, the R6 Mark III sports a 32.5MP full-frame CMOS sensor that offers greater sharpness, print resolution, and cropping ability. This sensor pairs with a DIGIC X processor to help deliver excellent image quality, low noise, and a broad sensitivity range. Additionally, the processing power manages the advanced Dual Pixel CMOS AF II system along with continuous shooting, video recording, and IBIS functions.

Borrowed from the R3, the R6 Mark III’s upgraded processing suits the multimedia nature of the camera. Capable of processing high speed bursts as well as high-res 7K video, the DIGIC X supports up to 40 fps continuous shooting with a silent electronic shutter or 12 fps with a mechanical shutter, with AF and AE readings before each frame. There is also a Pre-Continuous Shooting setting that permits capturing an additional 20 frames prior to fully pressing the shutter button, to make sure you don’t miss split-second movements.

SCN Shooting Modes

Intended for newcomers to photography, or those looking for a convenient alternative to post-production, a variety of SCN modes can affect how photos look directly in camera:

The R6 Mark III is the most advanced camera to feature SCN modes that adjust shooting settings using scene-specific auto exposure. The available modes include Portrait, Smooth Skin Portrait, Group Photo, Landscape, Panoramic Shot, Sports, Kids, Panning, Close-up, Food Night Portrait, Handheld Night Scene, HDR Backlight Control, and even Silent Shutter.
For video applications, Smooth Skin Movie, Close-Up Demos, Movie IS, and HDR settings can be used.

7K Video Recording

Beyond photography, the R6 Mark III is a highly capable video camera that suits creators working across mediums:

Using a similar sensor to the EOS C50 Cinema Camera, the R6 Mark III can internally record 7K video up to 60p in 12-bit Canon RAW Light Movie. If recording externally, to an optional external recorder, 7K footage up to 30p in ProRes RAW can be shot.
For especially sharp and clean footage, 4K FINE mode employs oversampling for improved image quality in DCI 4K and UHD 4K resolutions in the XF AVC S format.

Open Gate 3:2 recording is possible in 7K 30p in 10-bit MP4 or 12-bit RAW formats; Open Gate recording is especially useful for those producing social media videos as there is a greater recording area to crop from when resizing footage to vertical 9:16 format or to other unique aspect ratios, like 1:1, 4:3, or 4:5.

One of the biggest improvements over the R6 Mark II, the R6 Mark III has much-improved slow-motion/high-speed recording capabilities. It now supports both DCI 4K and UHD 4K recording at up to 119.8p for 5x slow motion playback in a 23.98p timeline. When you move down to DCI 2K and Full HD resolutions, 179.8p recording is possible. And, audio recording is supported for all resolutions and frame rate options except in S&F mode.
A new Slow and Fast Motion (S&F) mode can be accessed from the Mode dial with control over the resolution, frame rate, playback speed, and compression.

LUTs and Color Control

For more in-camera control over the look of footage, the R6 Mark III has a handful of color and style tools to affect the look of your imagery:

The Canon Log 2 profile can be used to improve dynamic range and gain 15+ stops of exposure latitude for more control while color grading.
LUTs can be used in-camera via the Apply Look function; you can register 17-grid or 33-grid .cube LUTs and register them as Custom Picture files to apply directly while recording. LUTs can also be transferred to the camera via the Canon Camera Connect app.
14 Color Filters are a convenient way to directly add color and tone adjustment directly to JPEG photos or MP4 videos.
A new Custom Picture menu provides direct access to Canon Log 2, Canon Log 3, HLG, PQ, Canon 709, BT.709, Color Filters, and other user adjustable parameters.

Additional Video Functions

Pressing the Magnify button while recording lets you enlarge the image to check focus without interrupting the clip.
Pre-Recording starts recording a clip up to 5-second prior to pressing the record button to help ensure you don’t miss an unpredictable moment.
Auto Level works in conjunction with the In-Body Image Stabilizer to adjust the sensor so it’s level to the scene’s horizon.
Focus breathing correction can be used with compatible lenses to mitigate the effects of optical focus breathing.

Dual Pixel CMOS AF II

Updated using technology from the EOS R1 and EOS R5 Mark II cameras, the Dual Pixel CMOS AF II system is an especially fast, responsive, and precise focusing system for both stills and video needs.

This phase-detection system has intelligent Subject Detection that can recognize People, Animal, and Vehicle subjects; once detected, Dual Pixel CMOS AF II is adept at locking onto subjects and tracking them while moving.
Featured for the first time in an EOS 6-series camera, Register People Priority allows you to photograph a person and register them in-camera to prioritize them over other people in a scene. This helps to acquire focus on your intended subject when photographing in a crowded scene. Up to 10 different people can registered at a time.

Four new AF area options have been added, along with the ability to cancel tracking and subject detection, and the R6 Mark III can also register and recall different AF settings to allow for easier mode switching.
Custom button functions can be set to register a focus preset position to function similarly to the focus recall buttons of Canon’s super-telephoto lenses.
Movie Servo AF focus algorithm has been borrowed from C400 and C80 cameras to make autofocus pulls look more natural and akin to manual focus pulling.

8.5-Stop Sensor-Shift Image Stabilizer

An upgraded In-Body Image Stabilizer (IBIS) now compensates for up to 8.5 stops of camera shake at the center of the frame, and 7.5 stops at the periphery of the image, for sharper handheld shooting in low-light conditions and to help reduce the appearance of shake when recording videos. While greatly benefitting working with non-stabilized lenses, this system can also be used with lenses featuring IS with Coordinated Image Stabilization that pairs both in-body and lens-based IS.

Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.

Body Design

EVF and Vari-Angle Touchscreen LCD

High-resolution 3.69m-dot 0.5″ 0.76x electronic viewfinder provides a bright and detailed means for eye-level viewing and the OVF View Assist feature provides a more lifelike and realistic viewfinder experience with greater dynamic range and rendering inspired by an optical finder.
Rear 3.0″ 1.62m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.
Benefitting video shooters, exposure monitoring tools from Cinema EOS cameras are featured, too, including zebra display, flase color, and waveform monitor.

Reliable and Intuitive Handling

Enabling higher-resolution recording at faster speeds, the R6 Mark III sports dual memory card slots—one CFexpress Type B slot and one SD slot with UHS-II V90 card support. This configuration enables photographers to shoot continuously for extended periods of time and for videographers to record at the highest resolution for longer clips.
Built for reliability, this camera features a magnesium alloy chassis and touts a dust- and moisture-sealed design that’s suitable for working in inclement conditions.
Shutter unit has passed 500,000 cycles of durability testing, matching the shutter unit used in the R5 Mark II.

Multi-Function Shoe uses a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries, including the DM-E1D Stereo Microphone, EL-5 Speedlite, and ST-E10 Speedlite Transmitter, among others, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.
Now compatible with the upgraded LP-E6P battery, the R6 Mark III is rated for 620 shots per charge.
Compatible with optional Battery Grip BG-R20 for extended battery life and to improve ergonomics when shooting vertically.

Flexible Connectivity

Wired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera.

USB-C 3.2 Gen 2 port for in-camera charging and file transfers; this port also enables using the camera as a Full HD 30p webcam with support for UVC/UAC protocols.
3.5mm headphone and external microphone ports.
HDMI port for working with an external recorder.
Bluetooth and 5/2.4 GHz Wi-Fi for wireless transfers and remote camera control from mobile devices via the Canon Camera Connect app.
FTP server function supports professional’s needs for sending files directly to computers, servers, or NAS devices and the Canon Content Transfer Professional app supports more advanced transfer needs, including the ability to enter metadata, filter imagery, and sort files.
Borrowed from the R5 Mark II, you can easily save and load communication settings for frequently visited networks.

Canon RF 24-105mm f/4-7.1 IS STM Lens

Sleek and versatile, the Canon RF 24-105mm f/4-7.1 IS STM is a well-rounded zoom covering wide-angle to short telephoto focal lengths to benefit working in a wide variety of conditions. A variable maximum aperture also helps to maintain an impressively compact profile to suit everyday shooting needs. Complementing the flexible design is a unique Center Macro Focus position, which enables working with close-up subjects at a 1:2 maximum magnification ratio, and an Optical Image Stabilizer also helps to achieve sharp imagery by minimizing the appearance of camera shake. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.

Standard zoom covers wide-angle to short-telephoto focal lengths to suit working in a variety of situations.

An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds.

STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting.

Specialized Center Macro Focus setting enables working with a 1:2 maximum magnification and a 5.2″ minimum focusing distance to suit photographing close-up subjects.

Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.

Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.

CANON EOS R6 Mark III

cciduser — Wed, 12 Nov 2025 08:41:13 +0000

CANON EOS R6 Mark III

The Super Hybrid

SCN Shooting Modes

Intended for newcomers to photography, or those looking for a convenient alternative to post-production, a variety of SCN modes can affect how photos look directly in camera:

The R6 Mark III is the most advanced camera to feature SCN modes that adjust shooting settings using scene-specific auto exposure. The available modes include Portrait, Smooth Skin Portrait, Group Photo, Landscape, Panoramic Shot, Sports, Kids, Panning, Close-up, Food Night Portrait, Handheld Night Scene, HDR Backlight Control, and even Silent Shutter.
For video applications, Smooth Skin Movie, Close-Up Demos, Movie IS, and HDR settings can be used.

7K Video Recording

Beyond photography, the R6 Mark III is a highly capable video camera that suits creators working across mediums:

Using a similar sensor to the EOS C50 Cinema Camera, the R6 Mark III can internally record 7K video up to 60p in 12-bit Canon RAW Light Movie. If recording externally, to an optional external recorder, 7K footage up to 30p in ProRes RAW can be shot.
For especially sharp and clean footage, 4K FINE mode employs oversampling for improved image quality in DCI 4K and UHD 4K resolutions in the XF AVC S format.

Open Gate 3:2 recording is possible in 7K 30p in 10-bit MP4 or 12-bit RAW formats; Open Gate recording is especially useful for those producing social media videos as there is a greater recording area to crop from when resizing footage to vertical 9:16 format or to other unique aspect ratios, like 1:1, 4:3, or 4:5.

One of the biggest improvements over the R6 Mark II, the R6 Mark III has much-improved slow-motion/high-speed recording capabilities. It now supports both DCI 4K and UHD 4K recording at up to 119.8p for 5x slow motion playback in a 23.98p timeline. When you move down to DCI 2K and Full HD resolutions, 179.8p recording is possible. And, audio recording is supported for all resolutions and frame rate options except in S&F mode.
A new Slow and Fast Motion (S&F) mode can be accessed from the Mode dial with control over the resolution, frame rate, playback speed, and compression.

LUTs and Color Control

For more in-camera control over the look of footage, the R6 Mark III has a handful of color and style tools to affect the look of your imagery:

The Canon Log 2 profile can be used to improve dynamic range and gain 15+ stops of exposure latitude for more control while color grading.
LUTs can be used in-camera via the Apply Look function; you can register 17-grid or 33-grid .cube LUTs and register them as Custom Picture files to apply directly while recording. LUTs can also be transferred to the camera via the Canon Camera Connect app.
14 Color Filters are a convenient way to directly add color and tone adjustment directly to JPEG photos or MP4 videos.
A new Custom Picture menu provides direct access to Canon Log 2, Canon Log 3, HLG, PQ, Canon 709, BT.709, Color Filters, and other user adjustable parameters.

Additional Video Functions

Pressing the Magnify button while recording lets you enlarge the image to check focus without interrupting the clip.
Pre-Recording starts recording a clip up to 5-second prior to pressing the record button to help ensure you don’t miss an unpredictable moment.
Auto Level works in conjunction with the In-Body Image Stabilizer to adjust the sensor so it’s level to the scene’s horizon.
Focus breathing correction can be used with compatible lenses to mitigate the effects of optical focus breathing.

Dual Pixel CMOS AF II

Updated using technology from the EOS R1 and EOS R5 Mark II cameras, the Dual Pixel CMOS AF II system is an especially fast, responsive, and precise focusing system for both stills and video needs.

This phase-detection system has intelligent Subject Detection that can recognize People, Animal, and Vehicle subjects; once detected, Dual Pixel CMOS AF II is adept at locking onto subjects and tracking them while moving.
Featured for the first time in an EOS 6-series camera, Register People Priority allows you to photograph a person and register them in-camera to prioritize them over other people in a scene. This helps to acquire focus on your intended subject when photographing in a crowded scene. Up to 10 different people can registered at a time.

Four new AF area options have been added, along with the ability to cancel tracking and subject detection, and the R6 Mark III can also register and recall different AF settings to allow for easier mode switching.
Custom button functions can be set to register a focus preset position to function similarly to the focus recall buttons of Canon’s super-telephoto lenses.
Movie Servo AF focus algorithm has been borrowed from C400 and C80 cameras to make autofocus pulls look more natural and akin to manual focus pulling.

8.5-Stop Sensor-Shift Image Stabilizer

Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.

Body Design

EVF and Vari-Angle Touchscreen LCD

High-resolution 3.69m-dot 0.5″ 0.76x electronic viewfinder provides a bright and detailed means for eye-level viewing and the OVF View Assist feature provides a more lifelike and realistic viewfinder experience with greater dynamic range and rendering inspired by an optical finder.
Rear 3.0″ 1.62m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.
Benefitting video shooters, exposure monitoring tools from Cinema EOS cameras are featured, too, including zebra display, flase color, and waveform monitor.

Reliable and Intuitive Handling

Enabling higher-resolution recording at faster speeds, the R6 Mark III sports dual memory card slots—one CFexpress Type B slot and one SD slot with UHS-II V90 card support. This configuration enables photographers to shoot continuously for extended periods of time and for videographers to record at the highest resolution for longer clips.
Built for reliability, this camera features a magnesium alloy chassis and touts a dust- and moisture-sealed design that’s suitable for working in inclement conditions.
Shutter unit has passed 500,000 cycles of durability testing, matching the shutter unit used in the R5 Mark II.

Multi-Function Shoe uses a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries, including the DM-E1D Stereo Microphone, EL-5 Speedlite, and ST-E10 Speedlite Transmitter, among others, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.
Now compatible with the upgraded LP-E6P battery, the R6 Mark III is rated for 620 shots per charge.
Compatible with optional Battery Grip BG-R20 for extended battery life and to improve ergonomics when shooting vertically.

Flexible Connectivity

Wired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera.

USB-C 3.2 Gen 2 port for in-camera charging and file transfers; this port also enables using the camera as a Full HD 30p webcam with support for UVC/UAC protocols.
3.5mm headphone and external microphone ports.
HDMI port for working with an external recorder.
Bluetooth and 5/2.4 GHz Wi-Fi for wireless transfers and remote camera control from mobile devices via the Canon Camera Connect app.
FTP server function supports professional’s needs for sending files directly to computers, servers, or NAS devices and the Canon Content Transfer Professional app supports more advanced transfer needs, including the ability to enter metadata, filter imagery, and sort files.
Borrowed from the R5 Mark II, you can easily save and load communication settings for frequently visited networks.

CANON RF 45mm f/1.4 STM

cciduser — Wed, 12 Nov 2025 08:27:41 +0000

CANON RF 45mm f/1.4 STM

The RF45mm F1.2 STM lens is a great option for creators who want an affordable and lightweight setup. It delivers wide-aperture performance, stunning low-light results, and soft, expressive imagery. Whether you’re taking portraits, lifestyle content, or everyday stories, it’ll give your work a polished look, even straight from the camera.

Features

Light and Affordable

The RF45mm F1.2 STM combines a large RF mount with a short back focus and advanced digital correction. A compact, affordable lens that still delivers the stunning F1.2 performance you expect.

Fastest Wide Open

The wide f/1.2 aperture creates stunning bokeh, making subjects pop with a three-dimensional effect. And thanks to the fast aperture, it shines in low light, allowing you to capture action at faster shutter speeds.

Tech, Meet Optics

Canon’s first use of a PMo aspheric lens in an F1.2 design helps minimize aberrations for sharper, more accurate images. Combined with the RF mount’s large diameter and short back focus, this allows for a compact build without sacrificing optical performance.

Step in and Focus with Confidence

The RF45mm F1.2 STM uses a gear-type STM motor paired with a magnetic detection system for smooth, precise autofocus. This keeps the lens compact and lightweight while ensuring your subject stays sharp, even in challenging lighting or fast-paced shooting.

What You See, I See

The 45mm focal length is like seeing how you see with the naked eye, giving you a natural perspective and framing that feels just right.

RF45mm F1.2 STM in Action

Creator

Traveling Jules

Creator

Traveling Jules

Creator

Traveling Jules

Creator

CreativeSoul

Creator

CreativeSoul

Creator

CreativeSoul

Control at Your Fingertips

A dedicated customizable control ring on the front of the lens lets you assign functions like ISO, White balance, etc. for quick adjustments during shooting.