Periode: 1-31 Desember 2025

]]> FUJIFILM GFX 100S II Medium Format Mirrorless Camera Body Only

MORE THAN FULL FRAME

New beginnings don’t start with taking new steps, they start with moving in
new directions. And every new GFX System camera has taken a
direction that has redefined what it means to be More Than Full Frame.

From its unparalleled image quality, to its overall mobility,
the boundaries of large format imaging have continually been
reimagined with every new iteration.

GFX100 II continues this tradition by bringing unprecedented high-speed
performance, expanded video capabilities, and lightning fast autofocus to
a growing list of accolades that professionals
everywhere have come to rely on from GFX System cameras.

If it’s time to find some direction,
discover one to new opportunities with GFX100 II.

GFX100 II brings a new 102-megapixel sensor “GFX 102MP CMOS II HS” with a readout speed that is about two times faster than GFX100S.Combined with X-Processor 5, GFX100 II is able to achieve a high continuous frame rate of up to 8fps, surgically accurate AF, and advanced video features that have never before existed in any previous GFX System or X Series camera.

Subject Detection AF

X-Processor 5 features subject detection AF, which delivers an autofocus performance previously unseen on a large format camera. Built using deep-learning AI technology, its advanced AF tracking and detection not only works on human faces and eyes, but also animals, birds, cars, motorcycles, bicycles, airplanes, and trains. With such power on tap, photographers can concentrate on creativity, confident GFX100 II will produce an autofocus performance to match.

*Set “SUBJECT DETECTION SETTING” to “BIRD” when you want to detect insects and to “AIRPLANE” when you want to detect drones.

Updated AF algorithm

GFX100 II uses an updated AF prediction algorithm to deliver reliable performance in sports and other situations where accurate, high-speed motion tracking is needed.

8fps High-Speed Burst

GFX100 II makes large format photography possible in previously inaccessible areas. A continuous frame rate of up to 8fps with the mechanical shutter freezes the peak of any sporting action.

*When mechanical shutter is selected

120fps Display Frame Rate in Boost Mode

Activating Boost mode on GFX100 II supercharges the display frame rate to approximately 120 frames-per-second – more than enough to keep up with fast-moving subjects.

Shortened Intervals and Decreased Viewfinder Blackout

Increased buffer memory minimizes any delay between frames and decreases viewfinder blackout times for seamless high-speed operation.

5.3fps Blackout-Free Burst Operation

GFX100 II offers a blackout-free 5.3fps burst with for an uninterrupted view of ultra-fast subjects.* In 35mm format mode, GFX100 II offers blackout-free 8.7fps and 5.8fps burst as well.

*When setting to electronic shutter

AF-C Custom Setting

Number of Focus Points

Zone Custom Setting

The Ultimate in Image Quality

GFX100 II continues to set new standards for image quality, alongside its oustanding speed and video credentials. Prepare to experience higher-quality stills, the likes of which you’ve never witnessed before.

ISO 80 Standard Sensitivity

By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80. Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.

Improved Quality in Every Corner

HEIF Image Format Support

GFX100 II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers higher image quality, but uses up to 30% less space than a JPEG.

Pixel Shift Multi-Shot

For the ultimate quality, GFX100 II can produce an ultra-high-resolution 400-megapixel image with a single press of the shutter release. Using in-body image stabilization to precisely shift the sensor by a half pixel between each frame, GFX100 II makes 20 frames in which every red, green, and blue pixel has the same information. The result is a detail-rich file with almost no false colors visible.

New film simulation REALA ACE

Enjoy the latest iteration of Fujifilm’s renowned color science – REALA ACE. Brand new for GFX100 II, this 20th Film Simulation combines faithful color reproduction with hard tonality, making it suitable for all subjects and situations.

Power and Precision for Video

4K/60p, 8K/30p, FHD/120p

4:2:2 10-bit Internal Recording

Proving itself as a hybrid powerhouse, GFX100 II offers 4K/60p and 8K/30p 4:2:2 10-bit in-camera recording. ISO 100 can also now be used as the standard movie sensitivity for the highest quality footage.

GF Format

Support for Multiple Cine Recording Formats

In addition to GFX large format, GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm). With a basic GF to PL adapter, cinematographers anywhere can use GFX100 II’s massive imaging sensor with some of the world’s most legendary cinema optics, including Fujinon’s collection of Premista and Cabrio Zoom Lenses. For storytellers with wider aspirations, there are also two different high resolution 35mm FF Anamorphic recording modes that provide various de-squeeze monitoring options in-camera

Improved Subject Tracking
Tracking subjects just got easier. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. GFX100 II will then track the object, even in situations with multiple subjects.

F-Log2 Support

GFX100 II is the first GFX System camera to feature F-Log2, broadening post-production flexibility. The wider dynamic range of 14+ stops* breathes more life into footage, maximizing detail in shadows, highlights and midtones.

*When setting to F-Log2 D Range Priority

Compatible with Frame.io Camera to Cloud

Embrace cloud first workflows and open lines of collaboration with GFX100 II’s World First, no accessary needed integration for Frame.io Camera to Cloud and deliver photos or video straight to the cloud the moment after they are created. Utilize the built-in Wi-Fi or Ethernet LAN connection options to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 4k ProRes Video securely to any project for immediate review and consideration.

New MF assist Focus MAP

For added precision while using manual focus, a new Focus MAP has been added as a MF assist function.

RAW output via HDMI

Combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps. With Blackmagic Design Video Assist 12G HDRs, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 8K and frame rates up to 29.97fps.

*Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.

FAN-001 Cooling Fan

Extends continuous video recording times with this optional accessory. The fan does not require any additional cables for power and allows GFX100 II to keep recording, even in high-temperature environments.

Periode: 1-31 Desember 2025

]]> FUJIFILM GFX 50S II

More Than Full Frame

Photography is a practice of pursuing perfection, a continual balance between searching for quality and having total control that allows for the perfect image to exist between the moments that are seen and unseen. Hold space for those moments with GFX50S II and explore a new world of creative possibilities.

Step into a New Level of Image Quality

SENSOR SIZE

43.8mm x 32.9mm

EFFECTIVE PIXELS

51.4million pixels

MOUNT

FUJIFILM G Mount

Physically larger than full-frame sensors by approximately 1.7x, the 51.4MP large format sensor inside of GFX50S II is a specially designed CMOS Bayer array that delivers images with minimal noise and an incredibly wide dynamic range. Paired with its family of G Mount lenses, the result is a perfect marriage between the camera body and lens, leaving photographers of all levels joyful in the simplicity of easily acheiving wonderful image quality.

Room for Perfection

Not all sensors are created equal. Compared to full-frame 50MP sensors, GFX50S II’s large format 50MP sensor is uniquely different because each pixel is larger and able to collect more data per pixel comparative to full-frame sensors of the same resolution. This results a stronger signal-to-noise ratio, which surpresses noise, increases dynamic range, and produces images with more information per pixel.

It’s Not Just about Resolution

GFX50S II’s large format imaging sensor isn’t just physically larger than every full-frame sensor out there, it also has specially shaped microlenses that are small enough to leave space between the sensor’s pixels, which allows it to efficiently focus light to create images with striking detail and clarity.

G Mount Lenses: Perfect Partners

A great sensor is only as good as the lens you put in front of it, but with the GFX50S II’s compatible G Mount lenses, there’s no need to worry. From ultra-wide-angle to telephoto, this ever-growing range of outstanding optics can resolve sensors of 100MP or more, so it meets the demands of exacting creators seeking the ultimate image quality.

900g

At just 900g (1.98lb), GFX50S II is compact enough to bring on an adventure into the city, or out into the expanses of wild beyond. Regardless of where it goes, its ergonomic grip and intuitive controls will put the best images at the fingertips of any capable image-maker.

6.5 Stops of In-Body Image Stabilization

Up to 6.5 stops* of five-axis in-body image stabilization (IBIS) is packed into GFX50S II’s compact camera body, unlocking new levels of creativity for photographers wanting to work more freely with slower shutter speeds. Even when light levels are low and a tripod isn’t availble, steady images are on the hoirzon.

*Based on CIPA standard

Large Format Has Never Been This Easy

With GFX50S II, Fujifilm has made the large format experience easier and more intuitive than ever before. A PSAM dial gives access to its main exposure functions and a top-plate LCD displays key settings – even when the camera is switched off. Also, a redesigned Focus Lever and feather-touch shutter release provide finishing touches to the image-making experience. Whether you’re new to the GFX System or an existing user, there’s nothing to stand in the way of connection with your subject.

Autofocus for Every Occasion

GFX50S II can boost it’s readout speed by double when prioritizing focus. This results in faster autofocus speeds and subject acquisition and is supported even further by clever use of the camera’s in-body image stabilization unit to provide additional autofocus accuracy. Lastly, the use of advanced focus algorithms – as found in GFX100S and the latest X Series models – boost face and eye detection autofocus performance to give photographers great performance regardless of the subject.

src : https://fujifilm-x.com/global/products/cameras/gfx…

Periode: 1-31 Desember 2025

]]> FUJIFILM GFX 50S II

More Than Full Frame

Photography is a practice of pursuing perfection, a continual balance between searching for quality and having total control that allows for the perfect image to exist between the moments that are seen and unseen. Hold space for those moments with GFX50S II and explore a new world of creative possibilities.

Step into a New Level of Image Quality

SENSOR SIZE

43.8mm x 32.9mm

EFFECTIVE PIXELS

51.4million pixels

MOUNT

FUJIFILM G Mount

Physically larger than full-frame sensors by approximately 1.7x, the 51.4MP large format sensor inside of GFX50S II is a specially designed CMOS Bayer array that delivers images with minimal noise and an incredibly wide dynamic range. Paired with its family of G Mount lenses, the result is a perfect marriage between the camera body and lens, leaving photographers of all levels joyful in the simplicity of easily acheiving wonderful image quality.

Room for Perfection

Not all sensors are created equal. Compared to full-frame 50MP sensors, GFX50S II’s large format 50MP sensor is uniquely different because each pixel is larger and able to collect more data per pixel comparative to full-frame sensors of the same resolution. This results a stronger signal-to-noise ratio, which surpresses noise, increases dynamic range, and produces images with more information per pixel.

It’s Not Just about Resolution

GFX50S II’s large format imaging sensor isn’t just physically larger than every full-frame sensor out there, it also has specially shaped microlenses that are small enough to leave space between the sensor’s pixels, which allows it to efficiently focus light to create images with striking detail and clarity.

G Mount Lenses: Perfect Partners

A great sensor is only as good as the lens you put in front of it, but with the GFX50S II’s compatible G Mount lenses, there’s no need to worry. From ultra-wide-angle to telephoto, this ever-growing range of outstanding optics can resolve sensors of 100MP or more, so it meets the demands of exacting creators seeking the ultimate image quality.

900g

At just 900g (1.98lb), GFX50S II is compact enough to bring on an adventure into the city, or out into the expanses of wild beyond. Regardless of where it goes, its ergonomic grip and intuitive controls will put the best images at the fingertips of any capable image-maker.

6.5 Stops of In-Body Image Stabilization

Up to 6.5 stops* of five-axis in-body image stabilization (IBIS) is packed into GFX50S II’s compact camera body, unlocking new levels of creativity for photographers wanting to work more freely with slower shutter speeds. Even when light levels are low and a tripod isn’t availble, steady images are on the hoirzon.

*Based on CIPA standard

Large Format Has Never Been This Easy

With GFX50S II, Fujifilm has made the large format experience easier and more intuitive than ever before. A PSAM dial gives access to its main exposure functions and a top-plate LCD displays key settings – even when the camera is switched off. Also, a redesigned Focus Lever and feather-touch shutter release provide finishing touches to the image-making experience. Whether you’re new to the GFX System or an existing user, there’s nothing to stand in the way of connection with your subject.

Autofocus for Every Occasion

GFX50S II can boost it’s readout speed by double when prioritizing focus. This results in faster autofocus speeds and subject acquisition and is supported even further by clever use of the camera’s in-body image stabilization unit to provide additional autofocus accuracy. Lastly, the use of advanced focus algorithms – as found in GFX100S and the latest X Series models – boost face and eye detection autofocus performance to give photographers great performance regardless of the subject.

src : https://fujifilm-x.com/global/products/cameras/gfx…

Periode: 1-31 Desember 2025

]]> FUJIFILM GFX100S

MORE THAN FULL FRAME

As photographers, we strive for perfection, constantly searching for the highest image quality and optimum control in what we create. GFX100S combines these two invaluable attributes in one remarkably compact and lightweight body. It is an imaging tool like no other; a new generation of large format camera to suit a new generation of creatives.

The 102-megapixel large format sensor works in harmony with G Mount lenses to produce images with incredible details, beautifully smooth gradations, and wonderfully accurate colors, all while ensuring that you are at the center of your creative universe. There’s honestly no better way to realize your vision.

GFX100S is not full-frame. It is so much more than that.

SENSOR SIZE

43.8mm x 32.9mm

EFFECTIVE PIXELS

102million pixels

MOUNT

FUJIFILM G Mount

Redefining medium format, the FUJIFILM GFX 100S pairs an ultra high-resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by a durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.

At the heart of the GFX 100S platform is the 102MP 44 x 33mm BSI CMOS sensor, which offers the ultra-high resolution coveted by stills photographers as well impressive 4K video recording options, too. The sensor pairs with the X-Processor 4 in order to output 16-bit raw imagery with a broad dynamic range, low noise levels, and sensitivity to a ISO 12800, and the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. In terms of video, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording externally, and an F-log gamma setting can also be used for more advanced color grading during post-production. Beyond high-resolution shooting, the unique sensor design also incorporates a sophisticated hybrid AF system that features 425 selectable phase-detection points, which cover nearly the entire frame, and aid with precise face and eye-detection modes.

Balancing the awesome sensor design is a notably compact form factor, which opens up a range of new working scenarios for this high-res platform. Sleek and lightweight, the portability of the GFX 100S is backed up by capable in-body image stabilization that compensates for up to 6 stops of camera shake for improved handheld shooting. Conversely, this stabilization system also enables making 400MP files using Pixel Shift Multi-Shot mode for extreme detail of still subjects. Also contributing to the sleek form factor is a fixed 3.69m-dot EVF for bright eye-level viewing and a rear 3.2″ touchscreen LCD with a three-way tilting design.

102MP BSI CMOS Sensor and X-Processor 4

Utilizing a large and exceedingly high 102MP resolution 43.8 x 32.9mm BSI CMOS sensor and X-Processor 4, the GFX 100S is capable of delivering 16-bit stills with wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional “medium format look.” Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 5 fps or for recording DCI and UHD 4K30 video.

UHD and DCI 4K Video Recording

Utilizing the large sensor size for more than just stills, the GFX 100S also offers an enticing array of video capabilities, including internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, as well as 4K30p 4:2:2 10-bit via HDMI output, both at up to 400 Mb/s-and simultaneous external and internal recording is possible. If working with an Atomos Ninja V, then UHD 4K30p raw 12-bit output is also possible using the Apple ProRes RAW format.

Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds when recording 4K video, which helps to reduce rolling shutter distortion when filming moving subjects.

In addition to the supported 10-bit color depth, the GFX 100 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. HLG recording is supported, too, for HDR applications, and F-Log, HLG, and Film Simulations can all be used simultaneously with raw external output.

Also, the camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.

Sensor-Shift Image Stabilization

Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake to better suit handheld shooting. This system works in conjunction with any lens, including non-stabilized ones, but when used with OIS-enabled lenses offers up to approximately 6 stops of shake reduction.

src : https://fujifilm-x.com/global/products/cameras/gfx…

Specification

• Model name FUJIFILM GFX100S
• Lens Mount FUJIFILM G mount
• Image sensor 43.8mm×32.9mm Bayer array with primary color filter
• Number of effective pixels 102 million pixels
• Sensor Cleaning System Ultra Sonic Vibration
• Image Processing Engine X-Processor 4
• Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90*1
• File format of still image
• DCF Compliant with Design rule for Camera File system (DCF2.0)
• JPEG Exif Ver.2.32 *2
• RAW 16bit / 14bit RAW (RAF original format)
• TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only)
• Number of recorded pixels
• ［L］〈4:3〉 11648×8736 〈3:2〉 11648×7768 〈16:9〉 11648×6552 〈1:1〉 8736×8736
• 　　〈65:24〉 11648×4304 〈5:4〉 10928×8736 〈7:6〉 10192×8736
• ［M］〈4:3〉 8256×6192 〈3:2〉 8256×5504 〈16:9〉 8256×4640 〈1:1〉 6192×6192
• 　　〈65:24〉 8256×3048 〈5:4〉 7744×6192 〈7:6〉 7232×6192
• ［S］〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992
• 　　〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000
• Sensitivity
• Still Image Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step)
• Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400
• Movie Standard Output: AUTO / ISO200~12800 (1/3 step)
• Extended Output: ISO25600
• Exposure control TTL 256-zone metering / Multi / Spot / Average / Center Weighted
• Exposure mode P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
• Exposure compensation
• Still -5.0EV~+5.0EV　1/3EV step
• Movie -2.0EV~+2.0EV 1/3EV step
• Image stabilizer
• Mechanism Image sensor shift mechanism with 5-axis compensation
• Compensation Effect 6.0 stops
• *based on CIPA standard
• *Pitch/yaw shake only
• *With GF63mmF2.8 R WR lens mounted
• Digital Image Stabilization Yes (movie mode only)
• IS MODE BOOST Yes (movie mode only)
• Shutter type Focal Plane Shutter
• Shutter speed Mechanical shutter P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
• S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
• Electronic shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
• S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
• *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
• Mechanical + Electronic shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
• S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
• *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
• Electronic Front Curtain Shutter P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
• S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
• *Electronic front curtain shutter works until 1/1250sec.
• *When using the electronic front curtain shutter, the continuous shooting supports CL only
• Electronic Front Curtain Shutter + Electronic Shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
• S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
• *Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec.
• *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
• *When using the electronic front curtain shutter, the continuous shooting supports CL only
• Movie DCI4K/4K: 1/4000sec. – 1/4sec. FHD: 1/4000sec. – 1/4sec.
• *Cannot choose slower shutter speed than framerate with LongGOP recording.
• Synchronized shutter speed for flash 1/125sec. or slower